I never thought that 250 BPM could be something... Unique. Production-wise.
Well here was a quick experiment to show different BPMs with one sound.
30 / 50 / 80 / 100 / 130 / 150 / 180 / 200 / 250
I never thought that 250 BPM could be something... Unique. Production-wise.
Well here was a quick experiment to show different BPMs with one sound.
30 / 50 / 80 / 100 / 130 / 150 / 180 / 200 / 250
Yea like how u would use the speed dail button on record player ((( i know, ancient device ain't it but same concept. )))
very cool.
250 BPM. It was like an African pipe or something.
What sound did u use?
sounds like the tempo is affecting an LFO or other tempo-synced effect or envelope..... nothing more. audio quality is the same
I kind of went thoughtless when I answered. Well, I used a modular with three oscillators. Two sine and one square, full waves. The effects were [foldback-distortion] and a high frequency [parametric equalizer] with high gain. Jason is right it was synced on all 3. Specifically a saw lfo which is a triangle-pass at the 2nd rate. Envelope output on the mods of the oscillators and then envelope output on the pitch so it has pitch envelope maybe. A state variable filter with cut-off at 10 o'clock. That's it.
And oops Jason, I meant to say that the 250 sound was a good one because it was close to a sine.