So, I take it that many others also use no animations & one pattern per instrument?

I'll be honest and admit that I REALLY wanted to animate, at least, the mixing board.

Just wanted to use self-restraint in a way that wouldn't piss me off. :D

First, upon starting this one, upward melodies often keep me from meandering on the dark side of the moon. Layer upon layer are added because, together, they sound good. As I've stated numerous times; no compressors are used in my music. Which means that, even with fourteen layers playing, all sounds must be fine tuned & individually heard. Turns out that I'm getting a bit better with the fine tuning. And, was very pleased with this one prior to sequencing. During sequencing is when I animate. That's when they get lengthy. I'll be like, "That animation is done. Oooh...these would sound good together if I did this!" Aaaaaaaand...there's another 15-60 seconds added.

Therefore, and like my above & very condensed explanation, I kept the song simple. No animations, no tempo changes, only the initial patterns, and progressively sequenced for maximum intensity. What would be heard when pressing green buttons, on the mixing board, and nothing more.

Andy, as before, is still zamoron. Over thinking causes too much turmoil in my life. Just as with the animations dissolving time, by meer manner of execution, do I seem to be continuously left behind whilst thinking ahead.

Sweet! Thank you.

I'm putting more effort than ever into my tunes. I'm kind of a slow learner. When I do learn something, being dyslexic, I learn it forwrds & sideways.

My tracks are about to get significantly better. I'm, now memorizing chords & their proper progressions.

Dert, you'd better believe it!

I'm working on a few more.