Single Cell Software

In this example the Arpeggiator randomizes both the drum choice and the velocity although the limited control over the probability of the note choice.

Look at beat 3. If you know latincat, D# is a shaker, F# and G# are metallic textures. By setting their velocities so low, even in the 50/50 case one of those notes is picked by the Arpeggiator, it's volume will be low. Lag processor helps avoid sudden obvious changes in volume.

This probability thing is actually way better than I even envisioned. Now meet the Probabiliy Band.

If anyone is unsure of how it works just ask.

Hah, that awesome! Wow... It did not take you long to get a hang of that.

This is wild. A few days ago I was frustrated trying to wrap my brain around the missing link in understanding the ModSynth stuff. Now I'm starting to see it with a different clarity, the mind almost reels with the possibilities

It occurred to me that there's a funny contrast to this and what UncleAFX and paulovski did. They devised the ability to control CV signals over long periods of time with the Ultra Low LFO.

With this approach you get 64 chances in 4 beats to send a CV in a nice tidy grid. To anything - a different Osc, Pitch inputs, the res control of a filter on a different synth in the same Mod but thru a seperate machine input... it's frightening to think of the potential control on such a small scale. Then throw in the arp unit as a mofifier. Whew.

I know you guys get it because you've probably been hee before but for me this sudden epiphany is weird. Instead of staring at spaghetti I didn't understand and getting a little overwhelmed now I'm starting at spaghettiI I do understand and getting a little overwhelmed.

Nice. The Steven Slate kit. I have that around somewhere for Sonar but I've never taken the time to dig thru each folder trying to pick out 8 representative samples from a few thousand oddly named wav files. Good job! That is one great sounding kit.

Out of sheer curiosity, is badcat Clearmountain?

Here you go. Sounds vaguely similiar to your first post. Trying twisting the Octave knob. And note the arp seq shape in the 3rd Modsynth. Helps give that big puff which identifiers beat 1.

And speaking of Zep, twist the DADSR Sustain knob on Modsynth 5 if you need a Theremin fix. And increase the note length in the Piano Roll to a full whole note with glide to avoid the cut out and drop.

And you can mix in the machine input, I turned it down. Or maybe I've changed that since, can't remember, I've got a dozen of these things on the go. Dang, I think I'm starting to get a hang on things.

Apologies for the messy wiring. Every now and then I leave an unnecessary module around. I'll get better.

Can you imagine if the Machine Input didn't just output audio but had Note and Velocity CV outputs as well so you could chain the audio and those 2 CV outputs from one ModSynth to another? Plus then you wouldn't have to re-paste all that grid of note info in each piano roll leaving you free to add tons of new note CV modifiers AND you could take the arp unit out of any related synth to buy 2 extra slots. I'm starting to get greedy.

And add one more jack where the Note, Vel and Mod Wheel CV are in the top left of the Modsynth but label it "CV Out" that would allow the user to also send one more CV signal of their choice to the next synth. So if you had an Ultra LFO in one ModSynth you could take that output, plug it into the "CV" out jack and any Modsynth in the chain could share it. Mind boggling.

I've given up on Caustic updates but man, I'd think that was pretty easy to implement. And it would be insane.