Single Cell Software

Dude you're my freaking doppelganger as an artist. The remix I stuck with was a DnB remix. It is so hard not showing anyone too. I'm super stoked with what I came up with and can't be like, "check this shit out dude!" I love caustic to death but for this contest I suggest doing most if your processing in ableton. As hard as we are trying to expand the boundaries of caustic and glorify its power, it's just simply not at the level it required by this contest. I just used the drum stems as build up and break beats. Since you're doing your remix in the DnB style, you're going to have to make your own drums based on the full time signature versus the originals half time. In my experience, I found that it is imperative to be as original as possible without tainting the original tracks mood. I know that's pretty vague so I'll try to convey my knowledge in more depth. It's very common for a remixer to either completely rewrite the track they're remixing to where it has completely changed and has virtually no resemblance to the nature of the original. Or, as equally common to making a revision instead of a remix, a remixer will not be confidant enough to change enough of the song they're remixing to claim it as a remix. It then ends up being lazy cover tune. Have confidence in yourself while in parallel with being realistic with yourself and the strengths that you know you possess. If you're great at ducking your mixes sidechain then emphasise how perfect you can dial in your attack, releases, and look ahead to have a perfect amount of kick to bass communication. Also, being as playing your strengths isn't taking much of a risk, you achieve your risk taking through making bold changes that are noticeably different from the original while complimenting the mood the original delivered. It's easier said than done, but it can be done. Try not to make the original artist so big that you enable yourself to stick to the book. Based on experience, the artist does not like hearing their song with too little of changes that it just becomes a that to their ego. Just my advice, hopefully I've helped you a little further along. Good luck brotha!

Lol! You just inspired a potentially epic collaborative competition.

I definitely agree. I was too distracted to consolidate it all. We can't lose with this line up. It's going to be one for the books

Dude this is sick! You definitely have a refreshingly unfamiliar style! Can you put the caustic file up? Let's see what elements mekanism can add.

First off, good I job on adding some rich elements to the mix phorsion! I hear the out of key elements. We can fine tune each section. So for better organization, let's work on a section at a time. Mek, go ahead and work on the intro section, if you will. Play around with it and see what tasteful elements you can develop. Once you get it where you want it, upload the caustic file and I'll go over it. If there's anything that I can add then I will do that and upload. Then we'll move on to the first verse, and so on... Phorsion, you'll be the first to start on the next section after this one. If there's anything you want to exchange, refine or subtract from the verse feel free to take a stab at it. To keep everyone involved, try to not move on to the next section once you've completed your adjustments. Mek, you're runner up after phorsion, and then me.

Cool mekanism! The purpose of the modular is to have a mono mix that ducks to the trigger. This saves an effects slot for each channel that's being ducked versus putting a compressor on each channel. I believe I have the duck triggered by white noise. I recently learned in the how to mix your low end on bass gorilla that compressors react the most to white noise, because it's solid the whole way through, can be shaped easily, and is constantly consistent. But, as you said to each his own and is definitely no biggie. I'm checking it out now, I'm excited.

Edit: double post, stupid thumb, worse owner lol